front cover of Current Issues in Priestly and Related Literature
Current Issues in Priestly and Related Literature
The Legacy of Jacob Milgrom and Beyond
Roy E. Gane
SBL Press, 2015

New directions and fresh insight for scholars and students

The single greatest catalyst and contributor to our developing understanding of priestly literature has been Jacob Milgrom (1923-2010), whose seminal articles, provocative hypotheses, and comprehensively probing books vastly expanded and significantly altered scholarship regarding priestly and related literature. Nineteen articles build on Milgrom's work and look to future directions of research. Essays cover a range of topics including the interpretation, composition and literary structure of priestly and holiness texts as well as their relationships to deuteronomic and extra-biblical texts. The book includes a bibliography of Milgrom's work published between 1994 and 2014.

Features:

  • Comparisons with Mesopotamian Hittite texts
  • Essays from a diverse group of scholars representing a variety of backgrounds, perspectives, and methodologies
  • Charts and tables illustrate complex relationships and structures
  • [more]

    front cover of Inside an Ancient Assyrian Palace
    Inside an Ancient Assyrian Palace
    Looking at Austen Henry Layard's Reconstruction
    Ada Cohen and Steven E. Kangas
    University Press of New England, 2016
    One of the best-known images of the ancient Near East is an intriguing nineteenth-century color lithograph reconstructing the throne room of an Assyrian palace. Executed shortly after the archaeological rediscovery of Assyria, a land theretofore known only from the Bible, it was published by the most famous among early excavators of Assyrian ruins, Austen Henry Layard. Over time and despite criticisms, the picture has shaped the understanding and reception of ancient Mesopotamian architecture and architectural decoration. Inside an Ancient Assyrian Palace studies this influential image in depth, both at the time of its creation in London in the eventful year 1848 and in terms of its afterlife. A hidden inscription reveals unsuspected contributions by the renowned architect-designer Owen Jones and his colleague the architect-Egyptologist Joseph Bonomi. Also unexpected is the involvement of an enigmatic German artist who later emigrated to America and whose previous career in Europe had been lost to scholarship. This book will be of interest to scholars and students of art history and the ancient Near East. It will also be of relevance to museum visitors and others interested in the ancient world in general, in the art of the nineteenth century, and in design and historical reconstruction.
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